I was looking for a good way recently, but I finally found it.
I've written articles like this in the past, but honestly it's a hassle to match.
For a feeGain MatchThere is also a plug-in called, but I was a little worried about this for $ 19. (I think other developers will also make it)
And when I was looking for a little, it was already there.
(Just a littleGain MatchIt takes more time)
Melda'sMAGCIt is a free plug-in called.
In the case of FL Studio, you can easily do it by using Patcher.
As expected, it's like Melda-san.
In this article, I will send you the following contents.
・ How to download and install Melda Production MAGC
・ How to use Melda Production's MAGC
Melda Production MAGC Overview
To my surprise, Melda's explanation is only as follows.
MAGC is a simple and powerful utility that adjusts loudness to the sidechain.Try to prevent the loudness from changing with the processing chain, or try to devise it.
How many people can understand how to use this explanation ...
I can only say that this area is also Melda-san.
The point is that it matches the loudness of normal input with the input of the side chain.
Therefore, if you put the Dry sound in the side chain and apply compression etc., the output will match the loudness of Dry.
How to download and install MAGC for Melda Production
Melda's plugin is a bulk install, good or bad.
Therefore, you need to download a file over 1MB to install only one plugin.
It is a nice specification for people who have multiple plugins, and it is rational because it gives priority to users who have multiple plugins.
Transition from the above link and download the file of the corresponding OS.
(The area where the hash value is also disclosed is a stone's throw)
Installation is OK if the contents of this time are "MAGC".
However, I think it's okay to put all the free plugins together.
(It's hard to use until you get used to it)
How to use MAGC of Melda Production
MAGC uses a sidechain, so it needs to be routed in a mixer.
Settings for using MAGC
For FL Studio, use XNUMX mixers.
First, route the sound source you want to gain match to mixer XNUMX.
Delete the routing from Mixer XNUMX to the master.
Route from mixer XNUMX to mixer XNUMX and mixer XNUMX.
I also took a video.
Route from mixer XNUMX to the sidechain of mixer XNUMX.
Select Mixer XNUMX and right-click on the ▲ of Mixer XNUMX and click "Sidechain to this track only".
First load the plug-in into Mixer XNUMX, then load MAGC.
Open MAGC, click "Processing" from the gear icon on the upper left, and drag "Sidechain 1" to "1".
This completes the preparation.
Explanation of MAGC
MAGC matches the loudness of sidechain inputs with normal inputs in real time.
The parameter that adjusts this timing is "SPEED".
"Set output gain" is fixed at the volume at the time of checking.
If the dynamics are constant, you can leave it as it is, but if the dynamics change greatly, such as drums, it is better to check "Set output gain".
I prepared a video.
At first, the rightmost meter is moving.
This is because the normal input is lower than the sidechain input, so the gain is increased.
And if you check "Set output gain", the rightmost meter will stop and the "Output" parameter will increase to + 16dB.
It feels like the volume is fixed at the time when "Set output gain" is checked.
I searched for "psychoacoustic prefiltering", but I didn't understand it well.
Since the word "psychoacoustic" itself is unfamiliar in Japanese, it is unclear what it actually refers to.
I think the term "psychoacoustics" would probably fit the bill.
Regarding the meaning of "psychoacoustic", there is the following description in the Weblio English-Japanese dictionary.
A study that studies how human sounds are heard not only from the physical acoustic mechanism and the physiological and biological auditory mechanism of the human body, but also from the psychological characteristics of humans.
It seems that it is often attached as an option to Melda's plug-in.
Summary
Honestly, it's hard to use because I use XNUMX mixers as it is.
But FL Studio has a Patcher.
With Patcher, it's a great efficiency that you can solve it all with one effect slot. (I wish every DAW had a Patcher)
Tomorrow I will explain how to use Patcher.
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