GetGood Drums (hereinafter GGD)GGD Modern & Massive ($ 65)I bought it, but it was a little disappointing.
Beginners shouldn't buy it.
It works with the free Kontakt Player, but it requires settings on the Kotakt side, and beginners will fight back there.
Next, it is not easy to use and there are few grooves.
The volume of the mixer is not displayed by the LED.
This was quite a shock.
And as for the groove, the price is not so different from SSD5.5, so I thought there would be no big difference, but it's not at all. (31 types only)
That's why the additional MIDI groove is cheap ...
I will explain it aside.
Set multi-out with GetGood Drums (GGD)
There is a video officially.
However, if I did the same thing as it was, it didn't work.
I will explain step by step.
Kontakt multi-out settings
If you have already set Kontakt's multi-out, skip this step.
First, launch Kontakt.
Click Outputs from the menu on the top right to launch the mixer.
Click "+" when the mixer appears at the bottom of the screen.
The screen will pop up, so change the "Quantity" and decide the number you want to para out.
Here, change it to "4" and click "OK".
The number of mixers will increase as follows.
Set here one by one.
Click one at the bottom of the newly added track.
A pop-up will appear, so set it.
I made a video.
Save it when you can set it.
To save, click "Presets / Batch configuration" and select "All Formats" in "Save current output section state as default for".
The point is to apply this change to all (standalone, VST, AAX).
This completes the settings.
Please reread Kontakt once to apply the settings.
FL Studio settings
Same as other multi-out settings.
Open "Processing" from the gear icon.
After that, set XNUMX outs.
Since the top is output to the mixer set in Track, nothing can be entered.
GGD settings
To set GGD, just select Kick for Kick and change the bottom routing.
To output Kick from Mixer XNUMX, you can do the following.
Summary
I should have checked it before buying it, but GGD seems to need a lot of editing.
It was written in quite detail in the following blog, so I will try it.
Comment
eh! ??When I bought this, I could buy it separately, so it seems that the specifications have changed.
As you can see from the check box, it seems that you can check it by itself and if you check two, the bundle discount will be applied.
I thought this was also a bug, so it's completely unexpected.I'm sorry that there was a place where I encouraged the purchase with comments.
Does EPIC mean that Beat also works with Chords?It's a plug-in that's completely floating so far, so I'd be happy if that was the case.
I also hope that the upgrade price is reasonable and that it will be more profitable to buy at ADSR in total.
This sale from ADSR and Beat cannot be purchased separately, apart from the product, the impression of Mixed in Key has deteriorated considerably.
I also tried it when I was worried about buying it in the past, so I didn't think I couldn't buy it.
I'm just hoping for something like "an amazing deal to upgrade" w
That said, it's not over $ 20 from now on, right?I will insert a nail.
(Because the ADSR is $ 40 and the current selling price is new $ 60)
Well, there was a benefit in ADSR Audio, so I think it would be a compromise if it was around $ 30.
No, I'm grateful for the information, so don't worry about it at all.
If you don't get the information about the Captain Plugin itself, you won't know if you bought it.
(I was worried about Orb Composer Pro)
Thank you very much.
Speaking of which, I saw a demo of Waves' OVox Vocal ReSynthesis that I talked about before, and this is amazing.
I haven't confirmed MIDI out yet, but there is no latency.
I was surprised that this kind of plug-in almost always causes a lot of latency.
Since it can be used in real time, it is an excellent one that can also be used as a voice changer.
It seems to be the lowest price this time, so I will buy it.
Vocoders are quite heavy, so it's amazing that there is no latency.
The sound of the vocoder is pretty much decided by which sound to put in, such as the side chain, so I personally watched it, but if the article comes up, I'd like to consider it.
I guess if it's not an article w
By the way, I bought Bitwig, which I had been interested in for a long time.
I used Ableton's MIDI Sync bug because I thought it could be tolerated because there was a workaround, but recently I've been using a lot of MIDI Sync plug-ins, so I can't stand it ...
I'm studying Keyboard Maestro right now, so I'll postpone it, but if it seems okay to throw away Max for Live, I'm thinking of a complete transition!
Max has the strongest gain match device, so I think the key is to be able to reproduce something comparable with Bitwig.
Lastly, Orb, but I gave up because the update to Version 3 was expensive for a fee.
Black Friday New purchases get 40% off and existing users get 20% off upgrades, but the upgrade price is only 10 euros different from new purchases.
I thought it wouldn't be a little in terms of functionality, so I won't upgrade unless it's significantly improved in the future.
I'm trying to use it little by little, but it's good.
It may be better to call it a vocal effect rather than a vocoder.
You can use it to add thickness by using a synth or base.
However, it seems that the expected MIDI out cannot be done with FL Studio ... sorry.
Really!
No, I'm curious about Bitwig ~
The degree of freedom of modulation is quite high, and there are plenty of MIDI effects.
It's good that the apprehension fee is a little cheaper.
I feel that Ableton Live suite is a little uselessly expensive.
(However, the latest version is required to link with MAX)
That's terrible.
Developers who don't care about Alibird don't want to support me.
You're making a fool of the user because the price is almost the same as the new one.